Acculturation, or more precisely Westernization, in the Near and Middle East has gone through distinct typical phases. After the shock of inferiority discovered, an almost complete surrender to the foreign values and (not infrequently misunderstood) aspirations; then, with Westernization partially realised, a recoiling from the alien, which however continues to be absorbed greedily, and a falling back on the native tradition; this tradition is restyled and, in some cases, newly created with borrowed techniques of scholarship to give respectability to the (...) results. Finally, with Westernization very largely completed in terms of governmental reforms, acceptance of the values of science and adoption of Western literary and artistic form, regained self-confidence expresses itself in hostility to the West and insistence on the native and original character of the borrowed product. (shrink)

The essays in this volume deal with three fundamental problems in Islamic civilization; the growth among Muslims of a consciousness of belonging to a culture; the unity of Muslim civilization as expressed in literature, political thought, attitude to science and urban structure; and the interaction of Islam with other civilizations.

In _Deaths in Venice_ Philip Kitcher explores the bearing that _Death in Venice_ by Thomas Mann may have on 'the oldest and deepest question of philosophy: _how to live_'. In this paper, I will distinguish two ways in which this question can be interpreted. One one reading, it amounts to the question 'how to lead a valuable or worthy life?', whereas on the other it involves a more elusive idea, namely, that a person may breath and walk and still be (...) dead in a relevant sense, that is, from the perspectivo in which being alive does not reduce to biological survival. In my view, Kitcher's reflection on Mann's novella relies on the first, more standard reading. I argue, though, that the being-alive interpretation sheds a more unified light on _Death in Venice_; in fact, I will conclude that the need to shift from one to another interpretation constitutes a fundamental concern in the novella. (shrink)

In Platons Dialog Sophistes wird nach der Definition des Sophisten gefragt; das führt zum Begriff des Nichtseienden und schließlich unter dem Stichwort 'Dialektik' auf die Frage nach dem Seienden. Daß Platon dabei von der sophistischen Methode ausgeht, das Seiende als bloße Spitze einer Begriffspyramide zu deuten, haben seine Interpreten seit jeher als irgendwie widersprüchlich empfunden. Dieser Kommentar ist für Leser gedacht, die bereit sind, den Sophistes genau zu studieren, aber dabei einen Begleiter haben möchten, der ihnen in möglichst direkter und (...) knapper Form hilft, den oft schwierigen einzelnen Schritten zu folgen und zugleich die Übersicht über das nicht weniger schwierige Ganze zu behalten. Er will nicht in die kaum noch überschaubare wissenschaftliche Diskussion einführen, sondern nur das dort zunehmend ins Hintertreffen geratende unmittelbare Verständnis des Wortlauts sicherstellen. Er ist "kritisch", weil er zum unbefangenen Lesen anhalten möchte. Damit wendet er sich nicht gegen die idealistische Interpretation von Platons Dialogen, der Platon seinen Ruhm als Philosoph verdankt, sondern will zeigen, daß es falsch wäre, den Platon, der im Sophistes Grundlegendes u. a. über Begriffsbildung und Sprache zu sagen hat, darüber zu vernachlässigen. (shrink)

If we define the ontological value of X as "given-in-experience," we attain the concept of object-experience. If this experientially given is a sensuous, external image we have "physics." If we interpret such images in terms of psychical functions as their apparent expressions we have psychology. Both together comprise the whole of natural-historical object-experience. Its truth lies in the agreement of those who investigate. We call this scientific kind of knowledge immanent.